
“Go Go Power Rangers! “Is a phrase you would hear being chanted by many children in the 1990s. I, along with many of my friends, was a big fan of the average teenage characters that would transform into super human action heroes at the speed of light. The Mighty Morphin Power Rangers were definitely a cultural phenomenon throughout the 90’s, and created a fan base for many young boys to idolize.
Before the days of the Mighty Morphin Power Rangers, there existed another team of heroes that gave rise to the Power Rangers themselves: Super Sentai. Super Sentai was created in Japan under the two companies of Toei Co. Ltd and Bandai, and depicted a cast of five or less heroes that had colored costumes and martial arts skills who used advanced technological weaponry to fight the fictional forces of evil. When translated, Super Sentai literally means “super task force” and is composed of a group of action heroes who participate in spectacular and surreal fight scenes that include flashy special effects. One of the main attention grabbers, aside from the special effects and colorful costumes, was the Sentai’s ability to call out giant robotic “mechas” to aid them in their fight. These scenes were usually saved towards the end of the show to create anticipation and hype for the audience of children. The success of Super Sentai was replicated in other Japanese shows such as Sailor Moon and Voltron, where the same premises of the spectacular task force became the bases of the shows.
With its show being a huge success in Ja

It is interesting to note that Super Sentai and the Power Rangers represented Japan’s ability to rebuild itself technologically after World War II. Before the Atom bomb, Japan’s big focus was becoming a strong military power, but after the devastation that was released upon the country, they had a huge shift from military strength to rebuilding the country into being technologically advanced. Besides Japan’s advancement in the automotive and computer technologies fields, the Power Rangers success is evidence of the country’s ability to establish itself in American Pop Culture.
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